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I understand. Yes, PTF is from a time of my life when
I had a lot of anger, controlled anger. Not being aggressive, like
for making a punk album, but still, I was writing music that was
in a style of the scene. That album was full of variety, I wanted
it to be accessible, not in a commercial sense, but that it could
reach different people, who could hear it and get a message from
it without having to concentrate on the music. Yet, the music was
still strong enough.
Now, with “Futureperfect” I wanted to go off and do a lot of different
types of electronic music. There are still elements on it, like “Fearless” or “Epicentre” who
can relate to the old era of PTF.I think that new album is lot deeper, lot
more textured than the previous, it sounds like more time went into it, for
me anyway. There is a very dark atmosphere, it’s not a very positive
album.
Although, in lyrics
of every song there is a… sense of progress, of positive. And
I’ve
found that in your lyrics you fight for life, although you are
depressed, you say to the one who cares:” I’m OK, I’ll
be fine!”
You’re the first interviewer who’s actually said this to me. So,
congratulations! That’s so nice to hear! There’s always been a
sense of hope in everything! Even in the most depressing song. Many of my fans
have said that they always find that hope in the end of my songs, which is
what I wanted. There is always, no matter how bad is the situation, a way out.
So, there is Hope?
Oh, there’s always hope! If there isn’t hope, you might as well
just stop. Because, what’s the point in existing? Hope is what keeps
dreams alive, what keeps our ambitions alive, what keeps us. Hope is the fact
that you can live every day, and wait every day for something great to happen
in your life, or that you’re going to go somewhere, move somewhere. It’s
what motivates you, gets you going; because, you can’t just wait for
everything to be handed to you, that’ll never happen. But if you go and
do something about it, if you set yourself up for your dream, you can achieve
anything.
I always say that even in darkest situations “clouds have a silver lining”,
meaning that the sun will eventually come out. And we have a choice to control
our situation, to better ourselves, to make our future in a better place, if
we put our minds to it. Each of us personally, or society as a whole. “Futureperfect” is
about that. I wanted the album to be gray, neutral, no black and white, no
technicolor, because that’s how I look at the world of today. It has
become this very depressed place. It is not the most fantastic world that we
could have created.
A hundred years ago, there was a drive to make a fantastic world - creative
brave new world for us. The youth were responsible for all the ideas, because
there was a drive or an enthusiasm. They have come up with futurism, modernism,
and all these different things in architecture, music, philosophy – they
had an whole idea of the world we were going to live in.
Do we have it?
Yes, that’s the point! The album is about:” Where’s the vision?
Where’s the drive?” And the worst part of this is that youth all
over the world stick their heads in the sand, they don’t really care. Especially
in Western society, they don’t really care about the world in 40 years,
they’re more interested in PVC they’re wearing and in “Am I
listening to the right band?”. They can have the fashion; they can have
the fashion all they want, but those are the people who will inherit the world
in 40 years, and I am tired of the nihilism in this scene, the “World is
going to be crap anyway, so I don’t care”. I am tired of that mentality ‘cause
that is just wrong.
There’s many people who have come up and thanked us for singing about positive
things. Not like:“Hey, everything is gonna be happy!” but singing
in a realistic way.
(continues
on next pages)
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