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MASSIVE ATTACK – ‘100th
Window’
So here we are, the first
Massive Attack album since the seminal ‘Mezzanine’ closed its brooding, dark doors
to us back in ’98. This time out only Robert Del Naja,
aka 3D, remains from the trio. Mushroom left the group a couple
of years ago and took his wicked vocals with him, Daddy G is
apparently ‘chilling’. As per usual, guest vocalists
are pulled into the action too; with Sinead O’Connor providing
those fragile female vox and longtime collaborator Horace Andy,
the reggae flow. Del Naja himself retains his gritty, urban vocal
style, sliding over the music as well as ever.
“So what’s it like?” I hear….
the one word summary has to be ‘good’. Massive Attack
have set the bar so, so high for themselves with their previous
releases (Blue Lines, Protection, No Protection, and the previously
mentioned Mezzanine), albums that have chronicled the evolution
of the trip hop sound, from Bristol, UK to the worldwide stage.
Overall, the album is an obvious evolution from "Mezzanine", with
a similar dark, urban style. Richly textured and at times mesmerising,
it’s an album
that grows and grows with those late night listens. O’Connor provides
some beautiful vocals on ‘What Your Soul Sings’ and ‘A Prayer
For England’ (incidentally a remake of the Blue Lines LP classic ‘Safe
From Harm’). The stand out track for me is the chilled, atmospheric dub
vibes of ‘Everyman’, a song that keeps on progressing, layer after
layer. Horace Andy croons on ‘Name Taken’ in his cool style, over
a rising, ebulliently stringy instrumental. The ‘hidden’ track
is an instrumental version of the great Mos Def collaboration ‘I against
I’ – a shame no space was found for the fine original.
While found lacking in comparison to their outstanding
earlier work, this is certainly a damn good album in its own right.
Compared against the current crop of releases from this genre,
Massive Attack are still as important as ever.
For Massive Attack fans this is well worth
buying, but newies might want to check one of their earlier three
albums first.
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