NAMNAMBULU – Distances

When a newborn band reaches top quality within certain musical genre that could mean only two things: either band is extremely talented or genre has reached its limits.
In case of Namnambulu, both statements stand as valid. Yes, synth-pop needs updating, and yes, “Distances” could be the mould to manufacture dozens of electronic yet sensitive bands. With modern approach devoid of Depeche Mode influences (well, not entirely :))... ), this creative collection of superbly weaved melodies and catchy personal lyrics shows that samples, anvil-hitting percussions and strong bass line are not necessary. Just don’t follow standards and schematics. Many synth bands are still struggling to accept that philosophy but not this Swiss duo.

Example? ‘Guardian Angel’, track four – it starts as hundreds of other sweet songs, together with lyrics with so much pathos that its bounding sarcasm, but after a couple of minutes there’s novelty: rhythm section is surprising in its design thus lifting ordinary song into memorable one. Well, honestly speaking, lyrics don’t suffer the same happy fate. Nevertheless, you get the picture. More: ‘Ignorance’ brings long melody spiced by Mediterranean flavour which is then skillfully kneaded into the best song of the album. You don’t hear such craftsmanship often!

Credits? Vasi Valis – building superb songs based on synth-pop standard melodies later developed further in all dimensions. Absolutely stunning ability to stretch a theme into complete song seamlessly and produce tracks that are rich without many sounds used. What can I say except that I am impressed! Henrik Iversen – also uses lyrical standards that sound true. In some cases a bit over sweetened ( ‘Apart’, already mentioned ‘Guardian Angel’, ‘Answers’) but still acceptable. Pick-up song ‘Hunting’ is also forgiven. Vocals are done with good approach, preserving unique colour of Henrik’s voice. There was no need for vocoding, just occasional echo. Good choice that sounds great in songs where low keys are dominant – ‘Memories’, ‘Deception’.

Overall, when you hear Namnambulu’s song, you will know it’s them. Unusual for a synth-pop band, right?

Grade? If “Weltfrieden” marked previous year, 2003 might be dominated by “Distances”. We’ll see soon, Melotron’s new album is due this fall/winter. Not much competition, that is for sure. Namnambulu launched themselves high with this firstborn, showing excellence that countless other (more experienced) bands are still to achieve. So they have a strong headstart. I feel Valis and Iversen will use it to push synth-pop barriers further or even create new sub-genre. Not that I will mind, quite contrary. If they don’t do it someone will. But, as I said, they have a strong headstart.